Spring Arrived

While I was away for nine days to the Pacific Coast near Monterey, California, spring has arrived here in Wisconsin.  The snow is gone, it will be close to 60 degrees today, the grass is showing a bit of green.  I leave, and wow, the snow disappears!

I had the most marvelous class at Empty Spools (http://www.emptyspoolsseminars.com/) at Asilomar near Pacific Grove, right on the ocean.  It was serene and restful, and my class of 24 motivated women accomplished great things with their machine quilting.  If you want to take your work to a new level, please consider this 5-day class with me next year.  I'll be there for Session II, March 25-30, and Session V, May 27 - June 1.  There are many other great teachers there in each session, it is a feast for quilters.  And the food is nice too!

So much has happened while I was away that it will take me a little time to catch up.  Meanwhile I will be thinking of some of the things I learned from my classes there and a wonderful 2-day class for the Monterey Peninsula Quilt Guild afterwards.  I was inspired by creative ideas and questions, by problems encountered, by helpful suggestions from everyone.  I will write about it soon and we can all learn.

My new Gingko design was successful, and Apple Core was a hit and looked stunning when everyone tried it on various fabrics and with thread colors that complemented rather than contrasted.  It was FUN.  My students worked very hard, put in long hours, and listened and experimented, and the results were worth it. 

I've also had requests for a continuation of my monthly quilting tips on my website, which I shall try to do once again, but am fighting the old and slow and temperamental computer used for that.  I may have to re-do the website on my new equipment, and if that is the case, it will be a bit of time before the tips re-appear, because I have other commitments right now.  Please be patient.

One of these projects is a regular column in American Quilter Magazine, the AQS member publication, but also available on news stands.  I will be answering your questions there about machine quilting, so watch for the upcoming first column and email me your questions.  I will read them all, choose one topic that recurs, and answer it in the next issue.  Hope you enjoy it! 

Meanwhile, it is time to unpack, play with Oliver who missed me but enjoyed his time with his cat Dad, and get back into my usual routine.  Paducah is right around the corner too.

Get out some beautiful fabric, batt, and thread, put in a fresh needle, and do some play at your machine today and everyday.  And keep quilting, your work gets better every day.

Diane

Packing for Asilomar

I can't wait to sit down by the fire in Phoebe Hearst Hall and relax and watch everyone arrive for classes at Asilomar next week.  I am busy packing with an awful lot of help from Oliver, who is making a 2-day process take a week.  But gosh it is so much fun, for him at least. 

If you don't know about this conference, it is called Empty Spools Seminars, and is held just outside of Monterey, CA right on the Pacific coast, in a state park named Asilomar, or Refuge by the Sea. 

Go to http://www.emptyspoolsseminars.com/ to see who will be teaching, read about the seminar, and perhaps sign up for a class with me next year.  Class registration opens towards the end of May, and classes do fill quickly.

It is my chance to teach the same group for 5 days.  We explore the important basics, and then play with motifs and design on a small pieced project.  I don't make one as a sample because in my experience that limits creativity.  Here is a chance for you to come up with a plan for quilting, and I will help you and give suggestions constantly. 

No two projects are alike, and some who are there to learn choose to not make a project but instead to create a library of samples for future reference. 

Whatever your choice I insist on your use of the best tools and materials, the right color thread, the right needle, etc. so even this small library of examples will be done well.  If you are unsure about threads and color and have room to bring extra, do that.  The Cotton Patch has an on-site shop for purchases of fabric and thread and all sorts of things as well.

Two really helpful items to bring if you can are a small table for your machine such as the Sew EZ, and a Supreme Slider for the machine bed so the quilt will move smoothly.

Our classroom tends to have a few dark areas away from the windows, so an extra light is nice as is a seat cushion.  This year they don't want us to have food and snacks in the classroom, so save those for breaks outdoors or at meals.

 

Kathy was the classroom assistant last year, and she made this beautiful project and quilted it in class, combining various motifs and techniqes we covered to create her own design, a one-of-a-kind. 

If you have any questions, please email me:  diane@dianegaudynski.net

Bring your walking shoes, and see you soon!

Diane

Deer wander freely at Asilomar

Go With the Flow

It looks so wonderful to see long, flowing lines in quilting, by hand, home machine, longarm.  But of all the tools we use to create quilting, the home machine is perhaps most difficult to master to get long smooth flowing lines. 

In the photo, left, some of the feathers are many inches long, and these, for a home machine quilter, are by far the most difficult to do well.  Keeping a smooth line while moving the quilt instead of the machine or a needle is tres difficult. 

If you have picked designs that seemed "easy" because they were simple large loops or big floral motifs but found that quilting them was a huge challenge, you will have already experienced the issues involved with larger designs, done with a home sewing machine.

Smaller, repetitive shapes are far easier to do.  Circles, rocks and pebbles, small clamshells, 1" or smaller marked feathers, Diane-shiko, stippling---all are easier to do than an 8" 4-petal flower!  Yet that flower design looks easy to a beginner, and can result in total frustration.

If you begin with designs that are small and curvy, chances of success are greater.  As you get familiar with moving the quilt instead of the needle to draw and design as you quilt, or to follow a marked line, you definitely can add designs that include longer lines. 

The most difficult part of an ornate feather design is the central line, or "spine" and many times even as an experienced quilter I choose to do these after quilting for awhile on other easier designs for a good warmup.  Then when things are clicking along well I do long demanding lines, especially long parallel lines.

Straight lines as in a marked grid are more difficult than long curved lines.

Diane-shiko (the background motif around the feathers, above, was something I came up with for students who could not follow this design with a marked stencil, or could not easily do a 1/2" marked cross-hatch grid.  The small curves are easier by far for most quilters than marking all those curves and staying on the lines, seeing the lines as you quilt, or doing a straight grid.

Doing these long flowing lines is natural if you are moving the machine or the needle, as in longarm quilting or hand quilting.  Both of these are an extension of your long years of writing, and quilting with these tools is akin to using a pen and paper. 

Home machine quilting throws up huge obstacles to get those long, flowing "ice skating" kinds of designs.  We have only a small zone around the needle where we move the quilt smoothly, also a challenge, it's difficult to see around and behind the needle, and we have to move our hands, readjust the bulk and weight of the quilt, and proceed with that smooth design.  It's not easy. 

Also, if you are quilting freehand feathers, leaves, fronds, etc., the more flowing and smooth they are the better they look.  They are more visually pleasing if they naturally emerge from a stem, vine, and so on, rather than look clunky and abrupt as you stop quilting, readjust the quilt and your hands, take a deep breath, look around and behind the needle to see where you are going, and then try ever so carefully to begin quilting and not get a little zig or zag or uneven stitches to mar the "flow."  Trying to keep the smoothness is really difficult, and takes practice.

Many times I suggest merging, rather than abrupt turns, as in the feathers above. Try and have one line slide out from another or merge back into a shape smoothly.  Learn where it is best to stop the machine so you can readjust your hands and quilt. 

Try putting the needle in the "up" position or start very slowly as you resume quilting, rather than starting up quickly with the needle in the "down" position when you stopped to move your hands.  This will make less of a noticeable start/stop spot.

Adding long flowing designs takes your quilting to the next level.  The smoothness of long curves and soft shapes really defines puff, gives great visual dimension, and looks organic and natural.  

Be careful when quilting long lines or big feathers, leaves and flowers, especially central lines as that is when your hands tend to go much too fast for the speed of the machine you are used to using on smaller shapes.  Definitely you can let your hands move faster, in fact shapes and long lines tend to be smoother if you do, but you must run the machine faster to keep the stitches consistent.  If you have stitches in these long designs that are much bigger, speed up your machine.  You can run it slower when doing smaller designs.

I use different speeds all the time to adjust to the speed of my hands, rather than doing it all at one speed.  I quilted that way from the very beginning.

Contrast shapes like this with smaller ones, and with geometric ones like straight lines, or chevron quilting. 

Quilting on a home machine is a big challenge, but sitting at your own machine, hunkered down around your quilt, listening to music, hearing the sweet sound of the motor purring along as you work, is so worth it.  Getting better takes work, and thought, and planning.  Each skill adds to one you already know. 

Keep quilting!  Your work gets better every day.
Diane

Introducing Oliver

Where have I been for two weeks?  What have I been doing?  If you guessed "new kitten" you would be correct!  This post is about my cat, so bail out now if you are looking for quilting information, just sayin'.

With absolutely no plans whatsoever to even think about a new cat until perhaps in the spring when my first teaching trip is completed, when the cold and snow will be gone, and kittens are being born and needing homes---- what do we do but succomb to the charms of this little guy.

He is from the Wisconsin Humane Society where my husband had a bit of time before a meeting there and strolled through the cat condos and made eye contact with this charmer, named Oliver.  After a phone call with all the details, I said let's think about bringing Oliver home, they sent me photos and the rest is the gentle but compelling slide into new cat mom-hood. 

We brought him home after I spent a day vainly trying to cat proof the house, and he was a burst of pure joy in our lives.  He radiated energy and happiness. His purring is so loud you can hear it across a room.  He has springs in his legs.  He is a cat pretzel.  Anything and everything is entertainment. 

He is 6 months old, was surrendered because his first owner had health problems and could not care for him, and now he is our sweet and mischievous little cat, playing hard, sleeping it off, eating and playing once again, spending lots of time on my lap.

We have had geriatric cats for the last 6 years or so and before that mature cats, so all the ways of a young one are coming back to me!  How can they be so inventive, get into so much trouble, be so darn cute???

Yesterday, after a week here, I opened the sewing room door, the room to the forbidden city.  I had thought it was clean for him, but of course he could jump on the cutting table, pull the pins off the samples and notes on the wall and then kill with great delight anything he managed to knock down. 

I thought I had swept up all the loose threads.  How can he fit behind things in the narrowest places and come out with threads hanging? 

He loves to lie on the foot control of my sewing machine.  I see trouble brewing in that department.

All my pins, pincushions, threads, bobbins, are now in drawers.  He did knock over my little bottle of oil and kitty hockey it all over the room before I rescued it, lid still intact.  Whew.

His favorite is a label that was wrapped around a bundle of Cherrywood fabrics, see photo below.  It skitters nicely around the hard surface floors in our house.  He carries it around in his mouth, then drops it and proceeds to kill it, on the bed, under a chair, in the shower.  He takes it upstairs to play with, then downstairs.  Thanks Cherrywood for the great label, you could market it as an expensive cat toy!

He is beautiful.  His fur is short and like velvet.  He is a combination of our Hillary and Arnie in looks and temperament, naughty, but mellow and sweet and spunky.  He is smart as a whip.  He knows everything already, our routines, the name of the UPS guy, when the mail comes, what dogs go by on their walks. 

His litter is in the laundry room, his room now.  He was raised well, and yes he now jumps up on the kitchen island, but he is aware he is being naughty.  A raised eyebrow and he is down from there fast.

We are smiling, we love him, today I am going to try and quilt.  I think I might wait for his afternoon nap.

My trip is coming up fast to Asilomar in CA, for Empty Spools Seminars.  I have things organized, know what I'll teach, have samples, so if you are in my class there, do not worry, I will still remember how to quilt.  I'm so looking forward to my time there as usual, and know we are going to have a wonderful class.

If you have questions, please ask, and if I have any more info for you in the next two weeks I will post it here on my blog.

Meanwhile, keep on quilting, your work gets better every day!

Diane

Starch

I've been using starch for my piecing and quilting for years, and I make my own. The only drawback is the lack of preservatives, so it's necessary to build a new batch every week or 10 days if you refrigerate it, and dump out what remains.

Why do I like starch? What is the recipe I use?

When I started piecing quilts ages ago I realized that fabric has a life of its own. It stretches, it frays, it distorts during any piecing or quilting process.

Because I wash or rinse thoroughly every quilted piece when it is finished I knew it was ok to add starch for the process, as it would be removed when the quilt was completed. If you don't wash the quilt when done, you probably don't want to add starch or wash-out markers or anything that should not be left in the quilt for long periods.

However, my biggest issues were getting long border strips to stay the same measurement before cutting, after piecing, after pressing, and starch was the key.

I wash, dry and press all fabrics with a light misting of my starch mixture before measuring and cutting for the project, not long-term storage.

Sometimes I add a mist of starch for piecing as I progress, but most times a gentle mist of water is enough to re-activate any starch in the fabrics.

For a block like log cabin I really add quite a bit of starch so those logs don't stretch and distort as I piece them around the center square. I don't do foundation piecing, so control of the fabric is key.

I also like to wash and dry the backing fabric for a quilt, and then press it with a misting of starch to stabilize it, to help prevent it from puckering and pleating, and to help it slide easily on the machine bed. Starch makes a huge difference for successful machine quilting in a home machine.

For small triangles, e.g. in a feathered star block, starch really helps in keeping them stable and even. I do starch before cutting them, and always be careful pressing damp fabrics as they can distort in a blink of an eye.

Even if you starch pieced parts of the quilt heaviliy or repeatedly, as you quilt the fabric softens and is easy to deal with in the sewing machine.

What is my recipe? Remember, you can adjust the amount of starch added to water to get exactly the consistency you need for any given job.

I like to begin with a thicker concentration, then dilute it as I go along in the piecing. Or start with what I recommend and check out how it works for you, then make a thicker batch or dilute this one until it is "just right," like Goldilocks.

If you have made sauces or gravies, Jello,  the technique is the same.

I begin with a scant teaspoon of Argo cornstarch (or whatever brand you have, but the kind of cornstarch for cooking, not laundry), dissolved well in a few tablespoons of cold water, in a heat proof 2-cup measuring pitcher.

Add boiling water to the 1-cup line, stir mixture until it turns transluscent.

Then add cold water to the 2-cup line.

Pour into a fine-mist pump sprayer. I get mine from the beauty section at the drugstore and the mist is very fine, not drippy or gloppy.

Label it so you don't think it is water.

Shake it every time you spray.

If you spritz the fabric and press carefully parallel to the selvages of the fabric it will give it a wonderful body. Don't push and pull on the fabric with the iron; be gentle, let the weight and heat of the iron do the work for you.

If white flakes develop as you press, you have too much starch or the mix is too concentrated. Either use less, or dilute the mixture.

Lasts a week or so as there are no preservatives, no chemicals, no nothing that harms us or the environment, and it’s practically free, except for the spray bottle! Don't starch fabrics for storage as I have heard it will attract critters such as centipedes, and mice. Use sparingly at first. You want the quilt to feel soft and be able to gather it up in your hands for quilting.

Hope you enjoy the starch, and if you come from the "no ironing" generation it will be a delightful surprise.

There are new commercial formulations of starch on the market, so give those a try too until you find what works best for you.

Keep quilting! Your work gets better every day.
Diane

Snow Day

It's a snow day here in Wisconsin....and just about everywhere else this winter. We don't have the right to whine about it, as other areas have had it worse, but we stay in today and catch up on that list of things to do. I have a long list.

Getting ready for my class in March at Empty Spools at Asilomar, CA, is on top of my list. Handouts, new samples, ideas to teach that are different from past years. A teacher has to do this or classes become rote and boring, and if they are boring to the teacher, oh my I hate to think how they would be for students. To read about the classes there, go to http://www.emptyspoolsseminars.com/

I don't have props or performing tricks like tap dancing, but I will try and have some exciting machine quilting things for class. Others who are not involved in machine quilting might think that it is about as exciting as watching snow fall, or paint dry, or dust accumulate, but we can get rosy cheeked from finding a new way to create a design that will work in our quilts. Or a new thread to try, or a way to do something that has been too difficult in the past.

I also like to take some time on a day like this and look at other blogs, see what everyone is up to. Ivory Spring did some knockout beautiful Apple Core quilting in the Marabella Sneak peak post at http://www.ivoryspring.wordpress.com/ Love it! I'm going to quilt another sample today, only use it around a central motif as background and figure out how to resolve the dead ends and travel well to the next line. We shall see, but it's a good snow day job.

There are dishes in the sink, but they are at the bottom of my list. Just noticed some great dust globs hanging from the ceiling fan in here too. They look dangerous.

I also have been resting and being careful using my right thumb, as quilting the Alzheimer's quilt just about killed my hands. I'm so used to using pre-washed fabrics that start out soft and lustrous, and soft wool batt, but working on poly batt and stiff coarse donated fabrics was like quilting in cement.

The thudding sound of my poor needle as it went through that sandwich was not music to my ears. The quilt was stiff and difficult to grasp, had a life of its own, and only got worse as I quilted more and more.

Curves that were smooth and lovely were very difficult to achieve with these materials. It seemed the fabric and batt had a life of its own, and definitely made freehand quilting quite difficult. Tension was almost impossible to get right, and isn't right in much of the quilt, but I had to accept getting it as OK as possible, even trying various machines for the best stitch.

The point is sometimes your materials hamper and hinder your skills. If you find your hands get sore and really suffer from grasping and moving the quilt then perhaps it's time to explore some different materials, especially batting.

Backing on this project was a batik and difficult to work with. It barely would slide on the machine using The Slider, and without that aide it was moving in jerks all the time and I was sore all over. I really audition any fabrics for my own quilts not only for the top but especially for the back, before layering the quilt with something that proves to be difficult under the needle.

I pre-wash all my fabrics, and press them with a little of my starch mixture before I cut and piece them. Backing is also prepared this way, and although there is great drama in a very dark backing color, it is really hard to work with dark bobbin thread or contrast color bobbin thread and have it all look wonderful in the end.

A medium shade for the backing is usually my choice, and all my early quilts had high quality muslin on the back and it worked perfectly, no pleats or puckers, and the back looked wholecloth at the end, beautiful.

Many of you think quilting with your group on charity projects with mystery fabrics and batt will improve your machine quilting, but it usually is a test of your skill to do a good job with this situation. Please practice on good stuff to improve your skills. It makes all the difference.

But oh I am so pleased with the quilt, that I persevered and made it through to the end with a few empty spools, and a great sense of accomplishment.

Enjoy your snow day, do a little quilting, or take some time off to rest your muscles.

Diane

Alzheimer's Illustrated: From Heartbreak to Hope

Last week I cleared away the dregs of projects and layered my next one for quilting. I volunteered to quilt one of the many quilts made up of strips of purple fabrics with names of those with Alzheimer's disease.

These quilts will all hang as part of the next traveling exhibit entitled "Alzheimer's Illustrated: From Heartbreak to Hope." You can read about this at www.alzquilts.org/alil.html and see the style of these quilts. Perhaps you signed a strip of fabric on the reverse, faded side, in honor or memory of someone, and perhaps it is in the quilt I received.

As I unfolded the quilt top, long and narrow, about as long as I am tall, the impact of the long string of names, all in different handwriting, struck me so hard. Lovely names, strong names, whimsical fun names, but all with the common thread of Alzheimer's. Behind each name I knew the terrible story, the suffering from this disease each person had.

Somewhere in one of these quilts out there to be quilted is my mother's name, Erma Hinterberg, that my sister signed when she attended the MN quilt show in Duluth last year. When the exhibit is finished and on tour I will look for it.

Some of the names were bold and strong, some one name only, some mentioned a relationship like Mom or sister. Seeing these names hit me so hard I knew I could not proceed that day, it was just too emotional, and I had to step away until the names became familiar friends.

I layered that quilt, did some stitch in the ditch between each signature rectangle, and then decided rather than an allover quilting design I would treat each name as its own little quilt, and try to do a motif on each to honor each name, and to reflect what I was imagining that person might like.

Melvin and Milton have strong straight lines of quilting. Viola is on a solid lilac fabric, first name only, and she has a pretty feathered vine. Louise, Lu Hamilton - Grandmother, and Bunny. Clamshells and bubbles, Diane-shiko or simple wavy lines, I varied the motifs, and loved seeing the names become little quilts before my eyes.

Below, three of the rectangles I signed and sewed on to the long strip of names, one for my husband's Aunt Rita, one for my uncle Milt Woolson, and one for a friend's mother.

I used silk thread rather than a heavier one which probably would have worked better on these fabrics, but I didn't want to obscure the names. The quilting takes back seat to the names.

I now will ship this to yet another volunteer for another volunteer to bind, sew on the label and sleeve, and add it to the growing number of quilts exactly like mine that will comprise the exhibit. They will all be quilted by different people, in different threads and styles. I feel like these names are now "my people." I have spent hours with them. I know they will be seen by many over the four years of travel they will have. I hope they raise awareness and funds for research to treat and eventually cure or prevent this disease.

Please visit Ami Simms' site, www.alzquilts.org to read what is going on and for more information.

After the next snowstorm I will gently fold and pack this quilt up with the label for it, with my own signature as the quilter. It will be part of history now, and I hope it can help enlighten the world.

Keep quilting, you never know when your skills may be needed.
Diane