Empty Spools Class Registration

Classes at Empty Spools Seminars, at sunset, above, are going to open soon for registration,  I believe around May 10.   I will be teaching two 5-day classes there, near Pacific Grove/Monterey, California at a state park called Asilomar.

From Wisconsin I fly to Phoenix, run like crazy to catch the connecting flight, and then on directly to Monterey in Northern California, a simply beautiful part of this country.  A short cab ride and I am at my location.

Both classes are the same content, with the focus on learning to improve your free motion machine quilting skills (home sewing machine) and learn some freehand motifs on a simple pieced project.  Stencils and following planned, marked lines are also an option, so both marked and unmarked quilting will be covered.  My goal is to have you improve and go up a level in your quilting skills.

My first class is March 25-30, and the second one is May 27 - June 1, 2011.

Because I am not traveling as much as in the past, and these are the only 5-day classes I teach, they do fill fairly quickly, as do many at this event. 

The location, the relaxed atmosphere, sharing of meals with others as well as those in your class and teachers, the beautiful architecture, no tv, fresh air, wildlife, and the Pacific ocean all contribute to the experience and make it very special.  It truly is a Refuge by the Sea.

If you have questions about my class and if it would work for you, please email me:  diane@dianegaudynski.net

And I'll see this year's last session at the end of June.  Meanwhile, keep quilting!  Your work gets better every day.

Diane

My Paducah Trip

Shirley Kelly - "Remembering Kelly" (I have permission from Shirley to post this photo)

Home from Quilt City USA, and back to catching up on home things. I had a good trip, fabulous weather, great food, and it was wonderful to see so many at the National Quilt Museum Monday night for Hollis Chatelain's tour of her Imagine Hope exhibit.  Also saw many familiar faces and old friends at Sneak Preview and the opening day of the show.

Shirley Kelly, above, won two first place awards for her fabulous work, hand applique and home machine quilting.  Anyone who sees her work will remember it, and this one was especially poignant with the mementos and memories of a great horse's life.

My treat of the show was to finally see Sandra Leichner's quilt, "Tea with Miss D." below, permission to add this photo to my blog granted by Sandra, and these are her photos.

Sandra Leichner ~ "Tea With Miss D."

It was more than I could have imagined, a treasure to see and take in.  The handwork and details were amazing, the machine quilting designs and execution the very best.  I am afraid my mouth might have been hanging open as I gazed at this delicious concoction, discovering detail after detail, and I know from the many comments of quilters that so many enjoyed it tremendously.  To see it and many detail shots, go to Sandra's blog, and be sure and check out the fabulous quilting too.  Below, the center tea cup surrounded by little strawberry shortcakes.  Oh my.

We had perfect weather early in the week, but rain arrived later, after I had left for home.  Crowds were not as big as in the past, parking was at a premium so lots of trekking was needed, and those who went in the new Pavilion for vendor shopping liked it.  They reported it was airy, bright, with lots of room and much easier to shop than in the old vendor locations in years past.

Now I am home, I am going to try and trace some of my new digitized designs for home embroidery machines and quilt up a sample, of course, free motion, and gasp, I have to follow lines so the designs will resemble those on the CD.  Not easy now that I am so used to quilting with minimal marking.  I like the designs but know I will do a bit of fudging as I quilt to make them even better looking.  I'll post a photo  when the project is finished.

Oliver was ecstatic to see me when I arrived home.  The gymnastics, the run, run, run, squeak, squeak, squeak....all off the charts of feline happiness.  He is now thinking maybe I am home for good, of course until the bags come out to pack for the next trip.  Below, his special place on his "special" chair in the living room window so he can watch the birds in the bushes outside.  And chirp.  He is a great little chirper, and I swear he grew and gained weight while I was away!  His fur is getting thicker and prettier every day too. 

Yesterday he discovered rotary cutting.  Oh my, time to close the door to the sewing room and work alone or risk paw amputation!

Hope you all enjoyed the AQS Show in Paducah, and.....keep quilting!  Your work gets better every day.

Diane

Ah, Paducah!

Oliver has been helping me draw, draw, draw.  He is very well behaved, sits on the drawings, helpfully holding them in place in case a strong wind might blow through.  Then he naps or chases something around the floor while he waits for me to be done so he can sneak up and attack me, then run off in a frenzy of delight.

I have been working on a new digitized collection of my quilting designs for the embroidery sewing machines, and it is coming along nicely.  I based the designs on some of my recent quilts, but the drawings are all new.  Watch for a September release from OESD if all goes according to schedule.  I don't have a title yet, but I'll let you know more details as this project unfolds.

And, speaking of schedules, mine includes shipping off these designs, then quickly switching gears and packing for my trip to Paducah next week.  Spring has arrived about 2-3 weeks early here in Wisconsin, so it won't be the dramatic change from winter to spring when I drive down to KY, but it will be wonderful to be back at the show this year and see so many quilts, friends, vendors, BBQ, dogwoods in bloom, friends and quilts at the museum. 

I see there are many familiar names with quilts in the show, and many who have taken classes with me.  It will be terrific to see your work hanging in this prestigious show......congratulations to all!

Please say hello if you see me, remind me how I know you, as it is a sea of people and it's hard to place people out of context. 

While I was working in my sewing room, Oliver discovered the bird lamp.  This is a lamp I've had for probably 40 years, has a wrought iron base with a vine and birds and lemons and leaves all over it.  Every now and then I put it in the pile of stuff to give away, and then I look at its fun whimsical design and decide to keep it just a bit longer. 

No other cat has ever paid the slightest attention to it.

Oliver sat under its warm light and tilted his head and stared at the little birds looking back at him.  He ended up with one paw on the head of a bird, just touching it gently, trying to figure out why the outside birds were sitting in Mom's quilting room.  He chirped and squeaked, tilted his head to the left and to the right, and finally settled down and slept under the gaze of the happy little birds.  I kept drawing.  Nothing like a deadline.  No chirping for me.

After I return from the AQS Show in Paducah I shall return to some quilting blog posts, ideas, tips, designs.  It's time to venture outdoors and enjoy the springtime.  Take a bit of time to look around and be inspired, translate that into your quilting ideas.

See you in Paducah!

Keep quilting-- your work gets better every day.

Diane

A New Tool for Spring Cleaning

While in my class at Empty Spools Seminars in March one of my students showed me this wonderful product, tiny swabs with a microfiber tip.  Microfiber dish cloths and dusting cloths are fabulous, and these are a tiny version of that fiber. 

They can be used to clean any number of tiny spaces and spots, but are really wonderful to use on your sewing machine to get out stray threads, lint, gunk, etc.  Great for all electronics too.

I use them very gently to remove the waxy substance left from silk thread.  It can clog the hook race in the bobbin area and this little device works great for gentle removal.  Never poke and jab at any sewing machine parts, especially delicate springs.

Here you can see the difference in size between the microbrush and an ordinary cotton swab, which I still like to use after adding that drop of oil to the hook area by the bobbin to remove any traces of oil and gently smooth the oil over any metal parts. 

I also used the microbrush to clean the thread pathway in the top of the machine.  If a thread gets caught in any of these areas, the tension discs, thread cutter bar, etc., it's nice to have a gentle and effective tool like this that will help but not damage the machine. 

You can order the product from Cotton Club.

Hope you are having a terrific jump into Spring, and are doing just a little quilting in addition to everything else.

Keep quilting; your work gets better every day!

Diane

Website updates

No sign of tulips here, but soon we hope.  Just wanted you to know I did some tips for April on my website today, http://www.dianegaudynski.net/

I'll try and update my schedule and new workshops soon.

Diane

More from Class

On my recent trip to California I stayed on after the 5-day class at Empty Spools and taught a class for the Monterey Peninsula Quilt Guild.  The lobby of my hotel had ocean inspired decor including some gorgeous tropical fish in a huge tank. 

We learned clamshell quilting and after I explained all the places and sizes and options for this standard design, I did mention it is also called fish scales and could be used on pictorial quilts.  When I returned to my hotel there I noticed the clay pot on the table in the lobby, photo above, etched with this lovely design.  It's versatile and always works when you need a nice, even texture.

Below is a photo of clamshells quilted with #100 silk thread on a blue hand dyed cotton.  It gives wonderful texture but is still an "organized" design, pleasing to the eye.  If you find your lines start sinking at one end, every now and then draw a straight line for reference only to keep lines of clamshells level.  These are about 3/8" in size.  Larger ones are more difficult to keep even.

If you want funky clamshells let them go downhill, change size or shape. 

 Make them larger at the bottom row and decrease the size to create perspective, nice for pictorials.  Always begin at the bottom of the design, and build up, like building a brick wall. 

Below are some fast and wicked "relaxed" clamshells, done at top speed, for a very casual look.  Don't worry if they aren't rounded, they are supposed to be loose and casual.  You could do a nice pine cone with this design too.  They would work great on a busy print, providing texture, but not formality.

We learned many things in that 2-day class.  One, you must know your sewing machine and be able to adjust it, and get it to work properly.

If you have your machine serviced before any class, when you get it home check it to see it is OK.  Sometimes changes are made and you can't get it to free motion quilt correctly. 

If you haven't had it serviced, make sure it is working well for class, cleaned and oiled and ready to go.

Bring your free motion feet to class.  Bring the foot control.  :-)

If you have a new plexi surround, wash it thoroughly first.  They tend to be very sticky when new, and quilts will not move well or at all.  Warm soapy water, some white vinegar, buff it dry with a clean flour sack dish towel.  Over time and use the surround will get better.  If it gets sticky at any time, don't be afraid to wash it.

If you are taking a free motion machine quilting class and are a beginner or haven't done much, take some time ahead of the class to practice daily. 

Don't try all sorts of complex designs.  Instead, simple curved lines, loops, writing, repetitive shapes will help you get nice even hand movements and smooth stitches.  Try for consistency and try to get your machine to work at its best.

Start with one even speed on the machine, and coordinate your hand movement to this speed so the stitches look even and a good length.

For practice or learning motifs, I recommend a fine cotton thread in ecru or a very light color, even white, and a #70 Microtex Sharp needle (Schmetz).  Threads include  Aurifil #50, Superior MasterPiece cotton, YLI Soft Touch cotton, #60 Mettler cotton, DMC #50 cotton.  These are all excellent threads for quilting, top and bobbin. 

Wash some great quality muslin, layer it with a good batt like Hobbs Tuscany Wool or Quilters Dream Select cotton, and use ecru or a very light color of thread, top and bobbin, and start in the center of an 18" square practice sandwich.  Get the feel of it, the flow, attempt nice even stitches.

Even though you do not set the stitch length when feed dogs are lowered, a good looking stitch for this thread would be measured at about 1.7 mm.  If you don't know what it looks like, stitch some at this length with your walking foot.  Fine threads require a smaller stitch than the default setting.

Try sketching a curved line on your sample, and then quilt it on or close to the line. 

Most often I see much smaller stitches when there is a line compared to quilting with no marked line.  You should learn to get the same stitch length for both no marked line and with a marked line, and this takes some practice.

Try some echo quilting - quilt a soft curvy line and then repeat it a scant 1/4" away.

Don't "lazy susan" your quilt.  Keep it facing the same direction.  If you want to quilt to the west, simply do that, but don't turn the quilt.  This will allow you to quilt a large quilt in a home machine when you CANNOT turn it.

Play at your machine.  Relax, enjoy the process.  Don't be hyper critical, this is not the easiest thing in the world to do, but look at what you quilt and decide how to make it better.  Take a break, come back and try it again with that in mind.  It is a process; it doesn't all come easily, and immediately.  But keep at it!

Above, an example of beginning in the center with a simple curved line and then "playing."  Echo anything and everything to learn stitch control, visualizing space, and even stitches.  Have fun.  Remember, smaller, curvy shapes are the easiest.

I learned a lot in my classes, and hope to use the information to make future teaching better.  It was a marvelous trip, with great people, scenery, and delicious fresh food.  Thanks to everyone who took care of me, and made my trip delightful.  It's good to be home again, but I'm already planning my next class.

Keep quilting; your work gets better every day!

Diane

Things I learned in Class

Oliver helped me unpack from my trip, and has grown since I was away!  I think his fur is getting a little longer too, oh no....  We were so enjoying the very short crewcut style he had at first. 

He has spent this week following me around, first in love and astonishment that I came back home, then in glee and joy, and now he is doing sneak attacks and flying out of nowhere to land on me.  Usually he likes to attack a knee or ankle, but occasionally he lands on my head.  I have a few needle holes in me from these attacks, scars of an ecstatic young cat.  He naps when he can take no more excitement.

What did we learn in our class last week?  Many things, some new to me, some the old familiar discoveries made by students as we progressed through a variety of free motion skills.

One woman said the best thing she learned was to have the quilt move freely, and that was accomplished with a Supreme Slider from Pat LaPierre at http://www.freemotionslider.com/

This tool is invaluable for smooth quilting and even stitches, but be sure and tape even the self-stick ones to the bed of your machine, with at least one piece of tape to the machine itself, not the surround.  Plexi surrounds tend to move in class and then the Slider moves, and you are quilting through it along with the quilt.  Not good for needles.  Or the Slider.

Lower the feed dogs when you use a Slider.  The repeat movement if they are "up" can create a dome around the opening that can be permanent and ruin the Slider.

Another thing that is so important is how the thread is positioned on the machine for the best possible delivery, stitch, tension, no breaking needles or thread. 

Larger cones or spools need to be horizontal so the tension is accurate.  Another good option is a cone thread holder.  One student had one, but not the spindle for the thread cone.  The result?  More problems than one could imagine.  As soon as we had one with a spindle and it was set up properly, perfect stitches.

Many times the thread winds around the little end caps that hold a spool on the horizontal spindle.  My advice?  I never use the end caps and I have never had the thread fall off the spindle.  There is no chance of the thread winding around and getting caught, causing tight tension or broken thread or needles or everything. 

I fixed many thread pathway "issues" and then quilting can progress smoothly.  If you have to stop constantly with problems your quilting will suffer.  Being able to have confidence in your machine and the setup for quilting lets you quilt with freedom and you will improve dramatically.

Thread color was such a big quagmire of indecision.  The only way you will know what looks right on the fabric you are quilting is to try quilting with the thread on a small swatch/sandwich first.  The days of putting a spool of thread on the quilt and saying YES!  are over.  Since I began using fine #100 silk for quilting, all preconceived ideas of color went out the window as I began to explore what worked.

Yesterday I quilted some samples of a new design for a handout and used bright fuschia silk thread on deep brown/purply/mottled fabric and it looked great.  Brown or purple or eggplant also looked fabulous if you want this design to be background and recede around a focal point.  Your thread color choices determine what happens to the visuals in a quilt. 

I also discoverd that most people do have one "better" side for feathers, and it is usually the left side.  Some could do the right side of a vine better than the left, but this was not common.  Work until both sides look acceptable, then quilt the same thing horizontally, at an angle, upside down, to increase your skills.

Batting does make a difference.  Not only in ease of learning a design, but in the final result.  We used wool batting for the extra pouf and dimension, and also were able to flatten backgrounds with more dense quilting. 

Leaving areas of puff showcases your designs and draw the eye, creating great visual dimension.  Do not quilt the life out of your quilt. 

Stencils can work for you!  Many who used them had delightful results, a beautiful design and their own freehand work surrounding it or complementing it.  The gingko stencil was particularly lovely. 

Thread tension changed with the pilot. Many times the way a person moves hands changes the proper tension to bad tension, tight threads.  When I quilted at the machine, changing no settings, the right hand movement and stitch length let the tension setting work, do the job, and create lovely stitching.

Larger erratic stitches made for too-tight tension, and diminished any puff in the design.  The correct stitch length for the thread type resulted in perfect tension.  It also needed tweaking for the type of design.  Long soft curves might work at a tension of #3, whereas close small frothy bubbles (in photo below) needed a tension of #2 for the stitches to be perfect.

Remember to reset tension on electronic machines each time you power up.

Smooth, even hand movements are key.  That is one thing I can't help you do.  You have to acquire the mental discipline to keep hands moving smoothly and evenly to achieve those beautiful stitches and smooth designs. 

If you have to lift hands to move them to another area of the quilt, stop the machine, move them, take a brief break for your eyes by looking up and re-focusing, and then begin again with the needle up.  Try to avoid"walking" your hands over the surface of the quilt as you run the machine.  Many do not realize this is a bad habit until I point it out.

Try and quilt a bit every day.  By the end of our 5-day class improvement was amazing and noticeable. 

Yesterday I quilted for the first time in a week, and it felt wonderful.  I also discovered Oliver can now sit on the back shelf of my sewing cabinet and stare at the moving needle and the quilt and become totally mesmerized, almost in a trance. 

Obviously he has never seen this before and is entranced with it.  He has quickly discovered sitting on quilts, sleeping on quilts, sleeping under quilts, attacking quilts, but now he likes to see them being quilted.

Keep quilting  - your work gets better every day!

Diane

Oliver helping me unpack.